UPDATE 10 November 2012: links now point to Bandcamp versions of album/songs. Tried to update other, dead links.
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So, the previous post had the link to the webpage with the songs (and there it is again!), though I think everyone who's interested has either already gotten it or asked me for a CD. For previous albums I made a page with short factoids about each song. So here's the equivalent.
We Have Won The Toss (And We Elect To Rock), written 2009: The lead singer of the Sand Rubies said this (or something close enough that I mistook it for this) during one of their continual reunion shows in the late 90s. I've been carrying it around since then as a great song title. And here it is, with obvious apologies to the MC5 (filtered through the PUSA).
When I Think of You, written 1991: Or maybe 1992? A bit of an odd one for me, at least at the time, as the lyrics always struck me as ambivalent (and I suppose I should know). I had a version of this pretty much ready to go for Do Not Tip, but decided against it. Frankly, I'm not 100% convinced this is a better version...
Desdemona, written 1992: I knew someone who had "Ophelia" as her online nickname, which got me thinking about writing a song about Ophelia and Hamlet from the point of view of a friend of Ophelia's, maybe trying to warn her about things. But that theme didn't stick, and eventually "Hey Ophelia" scanned better as "Desdemona". And here we are. It was one of the first songs I recorded on the Mac, using the built-in microphone. So the sound quality is a bit odd, but in the end I liked it enough to keep it. (Wait, Desdemona is asteroid 666? And it's the name of an Eddie Murphy song? Oy. At least it looks like I beat Eddie to it.)
Another X, Another Y, written 1991: I don't remember a lot, but luckily I have an email where I talk about it. :) I wrote it while waiting to take the GREs, apparently. Jury Rig played this one, I don't remember playing it with Science Diet, though? I wrote a new verse relatively recently so that I could ditch the initial verse, which didn't fit the overall gimmicky theme. I never did really figure out what to do with the instrumental bit, hence the lame keyboardy solo.
Another Sunrise, written 1991: Lots of '91-'92 era songs this time out! I wrote this one in Japan, thinking about my girlfriend back home. I'd have to go find a pay phone at odd hours to call her when neither of us were working. She was a flautist, so I stuck the flute on in tribute.
My Vampire Love, written 2004: I was inspired by some fiction I was reading. _Not_ Twilight, of course, since this rather predates that. Again, I had a version ready for Do Not Tip, but I really couldn't quite hit the notes on it so I shelved it. Garageband doesn't have the same synthesized instruments available as the last program I used, so instead of harpsichord/cello this one has clav/flute-- sort of trading Bach for Stevie Wonder.
The Song In My Head, written 2009: Kind of Leonard Coheny, though not on purpose. This was in the running to be the final song for a while, before Gedankenband happened.
Westerberg St., written 1993?: What I do remember was it being a hot summer in Tucson and wanting to write lyrics about somewhere snowy and cold. That, plus the similarity of the music to a song by The Replacements, led me to Minneapolis as the setting (and the song title).
The Better Part of Valerie, written 2008: Again, not about any actual Valeries. This was on the Cheese Course "EP" I posted last year, though in a shorter form. As a result of actual feedback from people, I added another couple of verses and choruses. Is it better? It's definitely longer.
Patapsco Patuxent, written 2008: I just kind of started writing this. I could say I tried to get myself into some mindset, but I didn't really. Just tried to imagine a late 18th-century version of me. I couldn't resist the double-meaninged place names.
Beneath The Milky Way, written 1988: Started off depressing, according to my N-year-old notes. But it's been not-depressing for so long, I can't remember that. Totally inspired by the song by The Church, though it doesn't sound much like it (to my ears). One of my favorites to play in college, though not nearly angsty/indie to play with Dr. Lüst.
Storm Green, written 2008: Though maybe Jennifer wrote the words in 2007? I should let her write the relevant bit here, but for my part I'll say that I puzzled over the music for some time before hitting on the idea of going all techno on it, which certainly was not what she was expecting. It probably would have been better with her singing but so it goes. I'd also prepared an alternate set of lyrics in case she vetoed this treatment, but those live on for another day...
Last Night I Dreamt I Could Fly, written 1993: I actually was inspired by a dream for this one, and it was a dream that I could fly. My friend Tracey from high school was teaching me in the dream, and it was really rather amazing. Other than that, though, the song is made up. :) I was pretty happy with an old 4-track of this, but could never quite recreate what I liked in this version, alas.
Hubris, written 1990: This was an explicit attempt to write a song that wasn't about women. I think this is the last of the old Dr. Lüst songs of mine to be committed to silicon, other than the super-gimmicky ones like the Battle of the Bands Theme. Anyway, the band really didn't like this one from what I remember, though later friends liked it much better. I like the version here quite a bit.
It's All A Test, written 2007: I was clearly feeling somewhat put upon. The high-pitched accompaniment started as a goof, but I liked it enough to keep it. If I had to guess, I'd imagine this will be the least-liked song on the album. Oh, the "stupid as the night" line was a phrase my father used to say, though he had no idea where he got it. Or if it was "stupid as the knight".
Love Or Limerance, written 2008: Hey, it's my favorite song on the album! Was poking around on Wikipedia and ran across the concept of limerance, which totally stuck in my mind. It wasn't long before the chorus formed and then that stuck in my mind for weeks, before I finally wrote the rest of the song. Then the whole song stuck in my head before I recorded it first as a demo, then for the album. Now it's occasionally not in my head.
As Happy As You Make Me, written 1989: I never quite got around to playing this one in any of the bands I've been in. It would work OK in a band setting, I think, but I played it solo acoustic for so long that it never really occurred to me. My girlfriend at the time I wrote it called this "The Spider Song" since my fingers moving on the frets reminded her of a spider moving. Not that you can see that here, but this is the place to immortalize that. :)
Gedankenband, written 2009: They've been with me every step of the way for all of these albums, so I thought I'd write them a song. I wrote much of it on a flight home from Seattle, which is where the Bumbershoot mention came from. It also owes a whole freaking lot to "World Tour '88" by the Young Fresh Fellows, but maybe we can just keep that between us, eh?
-----
So, the previous post had the link to the webpage with the songs (and there it is again!), though I think everyone who's interested has either already gotten it or asked me for a CD. For previous albums I made a page with short factoids about each song. So here's the equivalent.
We Have Won The Toss (And We Elect To Rock), written 2009: The lead singer of the Sand Rubies said this (or something close enough that I mistook it for this) during one of their continual reunion shows in the late 90s. I've been carrying it around since then as a great song title. And here it is, with obvious apologies to the MC5 (filtered through the PUSA).
When I Think of You, written 1991: Or maybe 1992? A bit of an odd one for me, at least at the time, as the lyrics always struck me as ambivalent (and I suppose I should know). I had a version of this pretty much ready to go for Do Not Tip, but decided against it. Frankly, I'm not 100% convinced this is a better version...
Desdemona, written 1992: I knew someone who had "Ophelia" as her online nickname, which got me thinking about writing a song about Ophelia and Hamlet from the point of view of a friend of Ophelia's, maybe trying to warn her about things. But that theme didn't stick, and eventually "Hey Ophelia" scanned better as "Desdemona". And here we are. It was one of the first songs I recorded on the Mac, using the built-in microphone. So the sound quality is a bit odd, but in the end I liked it enough to keep it. (Wait, Desdemona is asteroid 666? And it's the name of an Eddie Murphy song? Oy. At least it looks like I beat Eddie to it.)
Another X, Another Y, written 1991: I don't remember a lot, but luckily I have an email where I talk about it. :) I wrote it while waiting to take the GREs, apparently. Jury Rig played this one, I don't remember playing it with Science Diet, though? I wrote a new verse relatively recently so that I could ditch the initial verse, which didn't fit the overall gimmicky theme. I never did really figure out what to do with the instrumental bit, hence the lame keyboardy solo.
Another Sunrise, written 1991: Lots of '91-'92 era songs this time out! I wrote this one in Japan, thinking about my girlfriend back home. I'd have to go find a pay phone at odd hours to call her when neither of us were working. She was a flautist, so I stuck the flute on in tribute.
My Vampire Love, written 2004: I was inspired by some fiction I was reading. _Not_ Twilight, of course, since this rather predates that. Again, I had a version ready for Do Not Tip, but I really couldn't quite hit the notes on it so I shelved it. Garageband doesn't have the same synthesized instruments available as the last program I used, so instead of harpsichord/cello this one has clav/flute-- sort of trading Bach for Stevie Wonder.
The Song In My Head, written 2009: Kind of Leonard Coheny, though not on purpose. This was in the running to be the final song for a while, before Gedankenband happened.
Westerberg St., written 1993?: What I do remember was it being a hot summer in Tucson and wanting to write lyrics about somewhere snowy and cold. That, plus the similarity of the music to a song by The Replacements, led me to Minneapolis as the setting (and the song title).
The Better Part of Valerie, written 2008: Again, not about any actual Valeries. This was on the Cheese Course "EP" I posted last year, though in a shorter form. As a result of actual feedback from people, I added another couple of verses and choruses. Is it better? It's definitely longer.
Patapsco Patuxent, written 2008: I just kind of started writing this. I could say I tried to get myself into some mindset, but I didn't really. Just tried to imagine a late 18th-century version of me. I couldn't resist the double-meaninged place names.
Beneath The Milky Way, written 1988: Started off depressing, according to my N-year-old notes. But it's been not-depressing for so long, I can't remember that. Totally inspired by the song by The Church, though it doesn't sound much like it (to my ears). One of my favorites to play in college, though not nearly angsty/indie to play with Dr. Lüst.
Storm Green, written 2008: Though maybe Jennifer wrote the words in 2007? I should let her write the relevant bit here, but for my part I'll say that I puzzled over the music for some time before hitting on the idea of going all techno on it, which certainly was not what she was expecting. It probably would have been better with her singing but so it goes. I'd also prepared an alternate set of lyrics in case she vetoed this treatment, but those live on for another day...
Last Night I Dreamt I Could Fly, written 1993: I actually was inspired by a dream for this one, and it was a dream that I could fly. My friend Tracey from high school was teaching me in the dream, and it was really rather amazing. Other than that, though, the song is made up. :) I was pretty happy with an old 4-track of this, but could never quite recreate what I liked in this version, alas.
Hubris, written 1990: This was an explicit attempt to write a song that wasn't about women. I think this is the last of the old Dr. Lüst songs of mine to be committed to silicon, other than the super-gimmicky ones like the Battle of the Bands Theme. Anyway, the band really didn't like this one from what I remember, though later friends liked it much better. I like the version here quite a bit.
It's All A Test, written 2007: I was clearly feeling somewhat put upon. The high-pitched accompaniment started as a goof, but I liked it enough to keep it. If I had to guess, I'd imagine this will be the least-liked song on the album. Oh, the "stupid as the night" line was a phrase my father used to say, though he had no idea where he got it. Or if it was "stupid as the knight".
Love Or Limerance, written 2008: Hey, it's my favorite song on the album! Was poking around on Wikipedia and ran across the concept of limerance, which totally stuck in my mind. It wasn't long before the chorus formed and then that stuck in my mind for weeks, before I finally wrote the rest of the song. Then the whole song stuck in my head before I recorded it first as a demo, then for the album. Now it's occasionally not in my head.
As Happy As You Make Me, written 1989: I never quite got around to playing this one in any of the bands I've been in. It would work OK in a band setting, I think, but I played it solo acoustic for so long that it never really occurred to me. My girlfriend at the time I wrote it called this "The Spider Song" since my fingers moving on the frets reminded her of a spider moving. Not that you can see that here, but this is the place to immortalize that. :)
Gedankenband, written 2009: They've been with me every step of the way for all of these albums, so I thought I'd write them a song. I wrote much of it on a flight home from Seattle, which is where the Bumbershoot mention came from. It also owes a whole freaking lot to "World Tour '88" by the Young Fresh Fellows, but maybe we can just keep that between us, eh?
2 comments:
Hey Andy: Love the notes. I want more. How does the genius come up with his music? One can only hope for a window on the process. Maybe you'll agree to one of those VH1 music spotlight interview things. I assume Buttclench will be featured.
As for Storm Green. No, holy crap techno wasn't what I was thinking when I wrote the words. We both know it was a fan-girl tribute, done as only a midlife fan-girl can do. Needs more angst. More pathos. More emo. Your treatment is far too mature.
Cheers
VH1: Upside Your Music.
Yeah, I knew Storm Green didn't end up how you may have originally intended, but once I got on that train it was hard to stop. :)
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